VFX & Post-production VFX and post-production studio
Good footage is only half a film. The edit, the colour, the sound and the small invisible fixes decide whether it feels finished. We take what you shot and finish it for every place it will run.
For brands, agencies and in-house teams with footage from a shoot, a phone, a drone or an archive, running in more than one market.
Footage that looks expensive and a film that looks unfinished.
Many teams invest in the shoot and then rush the finish. Shots from different cameras do not match, the sound is uneven, a stray logo sits in the background, and the subtitles are added last in a default font. The audience cannot name what is wrong. They simply trust it less.
Post-production is where those problems are solved, and where one film becomes the cut-downs and formats each channel needs. We review the footage first and say honestly what can be fixed, so you know what to expect before the edit begins.
What teams bring us to finish
- Ads and campaign films
- Brand and launch films
- Event and conference footage
- Product and demo videos
- Archive and phone footage
What you get
You get a cut built around the story, a consistent grade, compositing and clean-up where needed, clean sound, subtitles in your languages, and every version exported to spec.
Edit
Your footage reviewed, selected and cut to a story with a clear opening, pace that suits the platform and an ending that asks for something.
Colour Grading
A consistent look across cameras, phones and lighting conditions, with skin tones, products and brand colours kept true.
Compositing & VFX
Compositing for what was not possible on the day: screen replacements, sky and background changes, product inserts and set extensions.
Clean-up & Fixes
Unwanted logos, signs, reflections, rigs and blemishes removed, and shaky or mismatched shots stabilised and matched where the footage allows.
Sound & Subtitles
Dialogue cleaned, music and voice levelled, and subtitles and on-screen text in Arabic and English, set right to left where needed.
Versions & Delivery
Cut-downs and aspect ratios for each channel, exported to each platform’s specs, with the project files organised and handed over as agreed.
Have footage that needs finishing?
Tell us what you shot, where it will run and the deadline. We reply with questions and a scoped quote.
How it works
Step 1: Review
We go through your footage, brief and deadlines, and tell you early what can be fixed in post and what cannot.
Step 2: Cut
A first edit for structure and story. You comment on timing and content before any finishing work starts.
Step 3: Finish
Grading, compositing, clean-up, sound, titles and subtitles on the approved cut, reviewed together in rounds.
Step 4: Deliver
Master files and every version you need, named and exported to spec, with the agreed project files.
Creative Production work
See all workCase studies for this service are being prepared for publication. Ask us and we will walk you through relevant examples.
Start a projectProject or retainer?
Questions
How much does post-production cost?
It depends on the scope: the length, the amount of footage, how much grading, compositing and clean-up is needed, the languages and the number of versions. We review the footage and brief, then quote a fixed scope.
How long does it take?
A straightforward edit is much quicker than a piece with heavy compositing. The proposal gives dates for the first cut, the finished cut and delivery, and slow feedback moves them.
Can you fix footage we shot on phones?
Often a lot can be improved: colour, stability, sound and framing. Some limits, such as missing focus or blown highlights, cannot be fully recovered, and we say so after reviewing it.
What kind of VFX do you do?
Practical compositing and clean-up for ads and brand films: screen replacements, background and sky changes, removals, product inserts and simple set extensions. Large feature-film effects are outside our scope.
How many revisions are included?
The proposal states the rounds for the cut and for the finish. Changes to the story after the cut is approved are new scope, which we flag early.
Do you add subtitles in Arabic and English?
Yes. Subtitles and on-screen text in both languages, with Arabic set right to left and timed by Arabic readers.
Can you supply the music?
We can source tracks from licensed music libraries when it is in scope, with the licence for your use. Music you already own or license can be used too.
Who owns the finished films and the files?
You do. Ownership of the finished films is written in the proposal, and which project files are handed over is agreed upfront.
How do we send you the footage?
Through a shared drive or transfer link from your side. We confirm formats, sizes and camera details before work starts.
Do you also plan and shoot?
Yes. For a film that has not been shot yet, see our corporate video production page. For animation and motion design, see motion graphics.
Send us the footage brief.
A short note is enough: what you filmed, how long the finished piece should be, the channels and the languages. We reply with questions and a fixed-scope quote.
More specialist services
Each one stands alone, and they work together on a single brief.
- Creative ProductionAll Creative Production services
- Motion GraphicsScript / Animation / Arabic + English
- Product PhotographyShot list / Retouching / Marketplace-ready
- Corporate Video ProductionScript / Filming / Versions
- Video Ads ProductionHooks / Vertical video / Variations
- 3D RenderingExterior & interior / Product CGI / Animation
- IllustrationYour own style / Arabic-aware / Layered files
Got a brief?
Tell us what you are making and when it has to ship. We will take it from there.