VFX & Post-production Post-production house in London, United Kingdom
UK brands and agencies often need a finishing partner who can take footage, cut it, grade it and turn it into every format, and who can also make a proper Arabic version when the campaign goes to the Gulf. That is the work we do.
For London and UK brands, agencies and in-house teams, and for UK campaigns being adapted for Saudi Arabia, Bahrain and the Gulf.
The English cut is done. The Arabic version is an afterthought.
A UK campaign heading to the Gulf often gets its Arabic version at the very end: subtitles pasted on in the wrong direction, supers translated word for word, a cut that ignores what will and will not land with a Gulf audience. It looks like what it is, an export rather than a version.
We finish the English edit and build the Arabic version alongside it, with right-to-left supers, Arabic subtitles timed by native readers and cut-downs for the platforms used in the Gulf. For UK-only work, we are a straightforward finishing team: edit, grade, clean-up, sound and delivery.
What UK teams bring us to finish
- Ads and social campaigns
- Brand and product films
- Event and conference films
- Arabic versions for the Gulf
- Cut-downs and reformats
What you get
You get an edit built around the brief, a consistent grade, compositing and clean-up where needed, a clean sound mix, subtitles, and every version exported to spec.
Edit
Your footage reviewed, selected and cut to a story with a clear opening, pace that suits the platform and an ending that asks for something.
Colour Grading
A consistent look across cameras, phones and lighting conditions, with skin tones, products and brand colours kept true.
Compositing & VFX
Compositing for what was not possible on the day: screen replacements, sky and background changes, product inserts and set extensions.
Clean-up & Fixes
Unwanted logos, signs, reflections, rigs and blemishes removed, and shaky or mismatched shots stabilised and matched where the footage allows.
Sound & Subtitles
Dialogue cleaned, music and voice levelled, and subtitles and on-screen text in Arabic and English, set right to left where needed.
Versions & Delivery
Cut-downs and aspect ratios for each channel, exported to each platform’s specs, with the project files organised and handed over as agreed.
Have footage that needs finishing?
Tell us what you shot, where it will run and the deadline. We reply with questions and a scoped quote.
How it works
Step 1: Review
We go through your footage, brief and deadlines, and tell you early what can be fixed in post and what cannot.
Step 2: Cut
A first edit for structure and story. You comment on timing and content before any finishing work starts.
Step 3: Finish
Grading, compositing, clean-up, sound, titles and subtitles on the approved cut, reviewed together in rounds.
Step 4: Deliver
Master files and every version you need, named and exported to spec, with the agreed project files.
Creative Production work
See all workCase studies for this service are being prepared for publication. Ask us and we will walk you through relevant examples.
Start a projectProject or retainer?
Questions
How much does post-production cost in the UK?
It depends on scope: length, footage volume, grading, compositing and clean-up, languages and versions. We review the brief and footage, then quote a fixed scope with changes priced before they start.
Can you make an Arabic version of our campaign?
Yes. We adapt supers and subtitles into Arabic set right to left, review the cut with Arabic readers and can arrange Arabic voice-over when it is in scope.
Do you work with agencies?
Yes. We can work as the finishing team behind your agency, follow your review process and deliver to your naming and spec sheets.
What VFX do you handle?
Practical compositing and clean-up for commercial work: screen replacements, removals, background changes, product inserts. Large-scale feature effects are outside our scope.
How do reviews work remotely?
Through review links where your team comments on exact frames, with calls for the key decisions.
How many rounds are included?
The proposal states rounds for the offline cut and the finish. Story changes after picture lock are new scope, flagged early.
Can you deliver to broadcast or cinema specs?
Tell us the delivery specs at the start, and we confirm in the proposal what we can deliver in-house and what needs a specialist partner.
Who owns the finished films?
You do, as written in the proposal. Which project files are handed over is agreed upfront.
Do you also shoot and animate?
Yes. See corporate video production for shoots and motion graphics for animation.
Send us the footage brief.
A short note is enough: what you filmed, how long the finished piece should be, the channels and the languages. We reply with questions and a fixed-scope quote.
More specialist services
Each one stands alone, and they work together on a single brief.
- Creative ProductionAll Creative Production services
- Motion GraphicsScript / Animation / Arabic + English
- Product PhotographyShot list / Retouching / Marketplace-ready
- Corporate Video ProductionScript / Filming / Versions
- Video Ads ProductionHooks / Vertical video / Variations
- 3D RenderingExterior & interior / Product CGI / Animation
- IllustrationYour own style / Arabic-aware / Layered files
Cities we work in
Got a brief?
Tell us what you are making and when it has to ship. We will take it from there.