How to choose an advertising agency in Riyadh
How to choose an advertising agency in Riyadh for campaigns, social media, production and retainers: what to prepare, red flags, questions and proposals.
Search for an advertising agency in Riyadh and you will find large networks, boutique studios, production houses, social media shops and freelancers, many of them offering everything. The websites promise campaigns, creativity and results in nearly the same words. You cannot choose between them from the websites alone.
This guide is about advertising and creative agencies: campaigns, social media, production, media buying and monthly retainers. If what you need is a new brand identity, that is a different decision, and how to choose a branding agency in Riyadh covers it. For a checklist that works in any market, see how to choose an advertising agency. This one stays with Riyadh and the Kingdom.
First decide what you are buying
“Advertising” covers several jobs, and agencies are strong at different ones.
- Campaign work: an idea, a message and its execution across channels for a launch, a season or an event.
- Social media: daily content, community replies and reporting, usually on a retainer. See our social media management page for how we scope it.
- Production: filming, photography, motion graphics. See corporate video production and motion graphics.
- Paid media: buying space on Snapchat, TikTok, Instagram, Google, outdoor.
- Strategy: who to talk to, with what, and how you will know it worked.
Write down which of these you need now. An agency that is excellent at film may be thin on social planning, and the reverse. Many businesses end up with one agency for the idea and another for the production, which works if somebody owns the handover between them.
What to prepare before you call
- The business goal. More walk-in customers, more enquiries from contractors, more bookings, better recruitment. “Awareness” alone cannot be measured.
- The audience, in Arabic. Who they are, which platforms they use, and which dialect and tone suit them.
- The calendar. Seasons that matter to you, such as Ramadan, National Day and Founding Day, school terms or a project opening. Agencies need lead time for these.
- What exists. Brand files, past campaigns, accounts, analytics, and what worked or failed.
- The approval route. One approver, a named list of reviewers, and the time each needs. In many Saudi organisations approvals pass through more than one level, so say so.
- The budget as a range. Agencies can scope better when they know the ceiling, even if it is flexible.
What to look for in an agency
Arabic copy written for Saudi readers. Ask for a sample of Arabic copy and have someone who reads Arabic professionally check it. Look for natural phrasing, not translated English, and the right register for the platform. The campaign ideas that work here rely on tone, not only visuals.
A way of working you can describe back. Discovery, concepts, review rounds, production, reporting. If they cannot explain their steps plainly, they will not follow them under a deadline.
Clarity on who does what. Which parts are done in-house and which are subcontracted, such as filming, voice talent or media buying, and who is accountable for the whole.
Seasonal experience. Ask how they plan for Ramadan or National Day: when they start, what they need from you and when the content must be approved.
Reporting you will actually read. A monthly summary with what was published, what it did and what changes next month, in plain language. Ask for a sample.
Production you can check. If filming is part of it, ask who shoots, what the site access plan is and what permissions apply. Permits depend on the location and the owner, so a good producer asks you early.
Retainer, project or both
A project fee suits a defined piece of work with a start and an end. The proposal should list deliverables, rounds of revision, dates and what happens if the brief changes.
A retainer suits ongoing work. The proposal should list what you receive each month: how many posts, reels, stories, replies and reports, and who approves them. A retainer described only in hours or “support” is hard to judge. The longer guide on social media marketing retainers in Saudi Arabia covers how to read one.
Whatever you pick, confirm the notice period, what happens to the content and accounts if you leave, and who owns the files.
Red flags
These are things to check, not accusations.
- A price before any questions. A quote needs a scope.
- Reach, follower or sales promises with no explanation of how they would be achieved.
- Free creative work on spec, followed by pressure to sign.
- Vague deliverables: “social content” without a count, “campaign” without a list.
- Your social accounts or ad accounts held in the agency’s name with no access for you.
- A portfolio that does not say what the brief was or what the agency’s role was.
- Arabic copy that reads like a translation.
- No mention of who owns the final work.
Ten questions worth asking
- Who works on our account day to day, and who is accountable?
- What do you need from us in the first two weeks?
- What would you change in our brief?
- Which parts are done in-house and which are subcontracted?
- Who writes the Arabic copy, and can we see samples?
- How do you plan for Ramadan, National Day and other peak dates?
- What do we receive each month, in numbers of items?
- Who holds the platform and ad accounts, and who pays the platforms?
- How do you report, how often, and against which goals?
- Who owns the work and the source files, and from when?
How to compare proposals
Send each agency the same brief and the same deadline for questions. Then compare the proposals row by row: deliverables, rounds, dates, team, languages, ownership, payment stages, access to accounts. Do not compare totals until the rows match. If you want the logic behind price differences, brand identity design cost in Saudi Arabia explains the factors, and they apply here too.
Pick the team you trust to tell you something you do not want to hear, not the one that flatters the brief.
Working with agencies across the Kingdom
Many new businesses and projects are opening across the Kingdom, so campaigns often cover more than one city. If you are launching in Riyadh with branches in Jeddah or Dammam, ask how the agency handles local content, local shoots and local suppliers. Our studio is in Riyadh, and we work with businesses in the other cities. Contractors, manufacturers and real estate firms can see how we approach their sectors on the industries pages.
Get a scoped quote from CREATVZ
Tell us what you want to achieve, the audience, the calendar and the languages through the start a project form, and we reply with questions and a scope that lists exactly what is included. If you would rather talk first, contact the studio in Riyadh. Our packages show how we bundle defined pieces of work.
Questions
Should we hire one agency for everything or separate specialists?
One team that covers strategy, content, production and media gives you a single point of accountability and a consistent look. Specialists can go deeper in one area. Decide which risk worries you more, then ask how work and approvals pass between suppliers.
Is a monthly retainer better than paying per campaign?
A retainer suits ongoing work such as social content and reporting. A campaign fee suits a launch or a season with a clear start and end. Whichever you choose, the proposal should list deliverables each month, not hours.
Who buys the media, the agency or us?
Both models exist. Ask who holds the platform accounts, who pays the platforms, and whether you can see the spend. Keep access to your own accounts, whoever runs them.
Do we need an agency in Riyadh itself?
Not always. For shoots and workshops, people who can be in the room help. For strategy, design and social work, a team that writes properly in Arabic and answers in your hours matters more than the postcode.